![]() How did you get it on the computer because I am struggling to to that with my pieces. You really have done some good work learning the notes of this piece and learning it well. Overall, Good job on a challenging piece! Feel free to ask me any questions that you have as I just finished working on this as well. ![]() Only start using it once you have refined your touch without it. May I suggest using the left pedal? It will help. There is some hesitation on some of the more difficult passages. Those embellishments are VERY important and not to be forgotten under any circumstances. It takes a lot of practice to get the piece to that speed without sacrificing touch and phrasing.Īnother note- your trills need work. Nobody actually plays up to 132, but the piece sounds its best (in my opinion) up towards 118-125. The tempo marking for this piece is 132, and I believe you're playing somewhere around 95-105. It sounds sometimes as if you are pounding the bottom notes, which was never Chopin's intention. They sometimes overcome the main melody, which shouldn't happen. They should be only an audible countermelody (if that's right). I would also agree with Noam- the bottom notes are sometimes louder than the others, which is distracting. Of course, I understand that you are still working to perfect this, and it will be much easier to make it flow once you have the piece better under your hands. Listen to recordings and that will help you understand the nature of his compositions better. At the moment, it doesn't feel like Chopin. This is Chopin, feel free to let the piece breathe. ![]() At the moment, (and this could be because you're still working on it,) it feels choppy. Play with more rubato and let the piece flow more.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |